The writers of Outlander know the power of First Women. In the second episode this season Claire is examining her lot in life. She has tried to fulfill her housewifely duties (with the notable exception of the bedroom). She keeps house, raises her child, entertains guests, and attends faculty parties, but she laments to herself that she does not feel “whole.”

While cleaning the breakfast dishes off the table, she reads the banner headline on the morning newspaper, “Truman Appoints First Woman Treasurer.” Just below is the name of Georgia Neese Clark.

One of the beauties of historical fiction is that real characters can appear in the narrative and Clark is very real. An economics major, she first tried her hand at acting. Later she worked at her father’s bank and, when he died, took over not only the bank, but a whole host of other business enterprises controlled by her father.

In her spare time, she was an active Democrat and supporter of Harry Truman. Men who support presidents often find themselves in the President’s administration, but from the beginning of the republic until Clark’s appointment in 1949 she was only the second woman to be rewarded. (The first was Frances Perkins, the First Woman cabinet member, appointed by FDR in 1933.)

For some reason, every Treasurer of the United States since Georgia Neese Clark has been a woman. The current Treasurer is Jovita Carranza.

The headline about Clark strikes Claire forcefully. She enrolls in medical school, where the white male students refuse to sit beside her. But she persists, graduates, and becomes a surgeon.

Outlander is one of my favorite sins. I crave it and indulge myself in its episodes. I appreciate that the series is adapted from a novel—and that the woman author is making big bucks from her work. It is historical fiction, combining fictional and real characters, my favorite genre developed in my favorite way. But, I also appreciate the artistry of the series: the lighting, the set design and decorations, the acting, the cinematography, the directing. And the writers, first of all Diana Gabaldon, author of the book, and the many artists who create the scripts.

Taking a whole episode to show a wedding night and maintaining tension throughout is a masterful creation. And now they have dipped their toes into my favorite topic. What could be better?

Claire is thrown into action by the example of a First Woman. The achievement of being first is laudable, but the greatest benefit is in the inspiration provided to other women. First Women are guiding lights. We cannot be what we cannot see.

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